Influences & Inspirations Part Deux

Shakespeare or Space Wars opens in less than a week! As the Players put the finishing touches on props, costumes and scenery… and even our script… we want to share an inspiration that has had a big influence on those essential elements of the play: Little Monster’s Mother Goose by Mercer Mayer. It’s a children’s book that features monster-creatures putting on a play — not unlike the Players!

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Little Monster’s Mother Goose was published in 1979, meaning it was just in time for Madame D’s childhood bedtime reading list. And it must have had an impact… Little Monster must be convinced to put on a play, and how the play happens — including what happens in the audience — is more interesting than the nursery rhymes themselves.

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In fact, it’s almost impossible to read this book in any sort of linear or methodical fashion — visual and word puns are scattered about, and the pleasure in reading it is seeking them out and finding something you hadn’t seen before.

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What’s more, none of the characters can let an opportunity for a comment, question, or delicious opportunity to lap up spilled milk pass them by.

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The audience is having a great time, too — even if they’re not behaving “properly.” 🙂

We hope you’ll be part of our audience for Shakespeare or Space Wars September 10-24!

 

On Adaptations of Children’s Literature…

An interview with Rebecca & Joan

Rebecca and Joan — who when not embodying Mdme. Directrix and Thumper, respectively, are the SPPP’s producing organization, Idiot String — sat down after one of the final Aesop Amuck rehearsals with none other than Sam Bertken (a.k.a. Meekins) to talk about their inspirations for both Aesop Amuck and the Peripatetic Players’ debut adventure, O Best Beloved.*  Sam writes for S.F. Theater Pub,** a great blog about theatre and the independent theatre scene in the Bay Area that is run by producer, playwright & director Stuart Bousel.

We talked about influences like Mercer Mayer & Maurice Sendak, the Muppets, and Medieval & Renaissance theatre, as well as why performing on FluxWagon and breaking the fourth wall are so important to us. Read the interview here!

*Please note there are a couple words bleeped out with asterisks in this article that, if unbleeped, would be inappropriate for young audiences!

**Please also note that the content of S.F. Theatre Pub in general is aimed at adult audiences, and some topics elsewhere on the site may  not be appropriate for kiddos.

Guess what else?

We have three more shows — including today’s 5pm performance in Pleasanton

There’s still time to donate to our Kickstarter Campaign — until late Monday night!